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Unentitled, Installment

Seven

Thinking to rescue Poetry from its own reclusion, proselytizing the radical (I now know, since I know I’m not a poet, but did not know then, when I thought I was a poet) revelation that Poetry had abdicated its responsibility to touch as many lives deeply as possible by deliberately downplaying mass appeal, and has narrowed its audience by overuse of the Free Form, but an enhanced emphasis on Structure could turn the situation around forthwith, and Poetry could grow to a great force, beside Music even, in sending out the calls.

(When I thought I was a poet, I thought it was the poets’ role to widely say important things, and I thought I had important things to widely say, I did, when I thought I was a poet, yes, yes.)

This is one of my earliest pieces, designed to sound the alarm, back when I first got it stuck in my head that the other poets thought just like me, and they would jump on the bandwagon and rouse the rabble, and Poetry would reach more people if only it returned to its recognized roots in rhythm and rhyme:

Introduction

“My poetry, does not need
      “music;
       “It
       “has poetry.”

              — anonymous

[ ← I can see why!    —    D. M. ]

Solo

The more it slows then stops then flows
     the more the feeling grows:
A free verse poem is little more
     than broken lines of prose.

Duet

Song
fills like sunshine
the hills and shadowvales
of Life.

Song
steals like sunshine
around meander trails
of Life.

Solo

Poetic ore where visions soar,
     nonraveled thoughts outpour.
A formless poem slips, slows, and stows
     décor on hollow core.

Duet

Song
steals like sunshine
icicle rafter-tails
of Life.

Song
feels like sunshine
on spangled snowdrift trails
of Life.

Solo

Whenever will the free verse mill
     instill poetic skill?
For ever still wills oftly spilled
     drill Poesy downhill.

“Free Verse on Song in Song on Free Verse” ©

© initials for "Free Verse on Song in Song on Free Verse"

25 lines

Though they don’t stick out like sore thumbs, the first two solo stanzas rhyme one another, sideways-like, sort of.    Then the last stanza half-rhymes, double-rhymes, near-rhymes, sideways-rhymes in upon itself.    The Free Form parts, full of symbolic imagery, stand-alone, came out pretty structured, crammed into duets.    I wonder what I did a goofy thing that for?    (Both the Un and Structured parts say kind and un things of one another, mixed-feelings like.)

Any plan that requires human total coöperation is doomed to failure.

Poesy means the art or practice of composing poems, by the way.    Thought using some obscure word correctly might appeal to the unstructured fan intelligentsia, totally befuddled when the politest commentary it received were blank blinks.

That wasn’t very funny either.

Poking in the dark,
playing true is falsely do,
knows the glowing spark.

“” ‘s Park Flew (Haiku)” ©

© initials for " 's Park Flew (Haiku)"

3 lines

Every day, you learn something new that you never need to know again.

I believed, when I thought I was a poet, that poetry’s structure lends an effectiveness like no other verbal form, excepting Music itself (excepting Song is a part of Poetry) to stimulating thought and feeling.

To reach through the shells
     where deep feeling tells
           calls poetry
           with symmetry
      to tap rhythmic wells
where bare essence dwells.

“”Reason to Rhyme” ©

© initials for "Reason to Rhyme"

25 lines

Also thought most everybody else must feel the same way (noddly-bobbles confirmed it!), and that Poetry, if it showed more structured work, would be more popular and therefore touch more lives more deeply like it’s s’posed to.

Eagerly striving to accomplish that, when I thought I was a poet  . . .


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